Past moments are reflected upon - hell, in one instance, reenacted - in a way that'll make more casual viewers scramble their way onto Wikipedia. You'll never root for Frank more than you do by the end of these six episodes. Until now, House of Cards has centred on the character's outward expression of power - not to mention his hunger for it - but the writers have shrewdly stripped that back, instead focusing on the character's internal fears in a way not dissimilar from Tony's dream sequences in The Sopranos. ![]() While there is no moment to rival season two's Zoe Barnes shocker (they give it a good go), the most lingering moments subtly emerge from the script's focus on Frank's inner psyche. Stylistically, the opening episodes posit season four as the show's most ambitious yet - a big statement considering it's risk-taking previous.
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